I began recording this album at Crosstown Studios in September 2024 and completed it in May 2025. The journey has been deeply rewarding but not without its challenges—especially financially. I had high hopes of securing funding from the Arts Council and submitted several applications, coming close but never quite crossing the line. In one instance, I was told that four people were selected, and I was fifth—just shy of the support I needed.
This album is dedicated to those who have believed in me, pre-ordered in advance, and generously helped along the way—whether through special deals, patience with payments, or even moments of financial sacrifice. I won’t mention names, as I wouldn’t want to embarrass anyone, but you know who you are. Please know that your support means the world to me, and I am profoundly grateful.
Songs
My previous album, Tuebrook, was deeply personal, with most tracks drawing inspiration from significant moments in my own life. For this new album, I aimed to return to storytelling, crafting narratives that were less autobiographical yet still rich in character and emotion. Even while consciously creating fictional personas, I found that elements from my own experiences and the lives of those around me naturally wove their way into the fabric of the songs. The result is a blend of truth and fiction, where distinguishing one from the other is often challenging.
I sought to build an imagined world—one that listeners could connect with, populated by characters whose struggles and aspirations resonate universally. The themes revolve around individuals who are restless, searching for something greater, striving for dreams that have been stifled. Interestingly, I was surprised by how frequently references to religion emerged organically within the narratives.
Musically, I drew inspiration from two albums that have long influenced me: Bob Dylan’s John Wesley Harding, with its stripped-down production and lyrical brilliance, and Nanci Griffith’s Last of the True Believers, which masterfully balances intricate instrumental arrangements without overwhelming the composition. For this project, I intentionally leaned towards a roots-oriented sound—favouring acoustic instrumentation over electric guitars—to create a warm and organic feel.
I hope you enjoy the journey these songs take you on.